Subsequently, the fresh narrator’s lover was significantly associated with the newest river: “Derriere la porte l’homme que raime se tient

Subsequently, the fresh narrator’s lover was significantly associated with the newest river: “Derriere la porte l’homme que raime se tient

Instantly after that, the fresh new narrator arrives abreast of another photo, one that’s already common with the viewer since it have become produced, the fresh images you to definitely the girl lover grabbed of your connection over the Adour

(14.) Pick Los angeles Chambre claire: “Toute photo est un certificat de presence. Ce certificat est ce gene nouveau los cuales child advancement an excellent introduit dans los angeles famille des photographs” (135).

You to proportion scratching House Chagrin indelibly, in addition to point upon which it hinges ‘s the river alone. In that angle, it’s the river which pledges with the rest of Cosnay’s land, designed one another virtually and figuratively. As the narrator tells the storyline off Bram van Velde, such as for example, this new events and stories she will bring just take the added good chronology that the lake certifies, using metaphor. Moreover, inside the thinking about the fresh river, the fresh narrator will get convinced from a larger existential concept, one which possess seemed obvious right away, but whose truth is thus trivially conspicuous which means verification in the a further level: “La vie passe en effet” (62). This new lake perceives each of the narrator’s body gestures, and you can serves as a mute witness so you’re able to her issues along with her thoughts. It sees the lady both since she serves so when she refuses to behave: “Je viens bien au coin des boulevards Alsace-Lorraine mais aussi Jean-Jaures, low loin de- l’Adour mais aussi non loin de chez moi. J’ai jete les photos prises par l’homme que j’aime, je myself suis allongee, victime de- paludisme va pouvoir-etre, de tremblements nouveaux, je me suis allongee dans ce soleil qui regardait l’Adour, j’y suis, c’est le moment. Jamais encore” (56).

In today’s lifetime of this lady narrative, Cosnay says to regarding her very own query to your one to legislation and its own historic affairs:

Although the previous couple evolves in the current, due to the fact second is actually confined into the earlier in the day, Bram and you can Marthe have a good deal more narrative skin towards the bones than perform some narrator as well as the guy she wants

The newest chagrin one Cosnay invokes in her own study of during the last are abundantly echoed in today’s, and you may somewhat during the a figure identified only given that “Pierre M.” The latest narrator says your just like the a friend, and you may means your since the one whose stress turned out, fundamentally, debilitating. The first occasion they are stated on the text, Cosnay bets into the understatement and you will discount away from phrase to help you share the dimensions of their distress: “Ce twenty seven aout 2003, Pierre Meters. s’est donne la mort dans man appartement de los angeles rue Saint-Maur. Apres un sejour durante hopital psychiatrique, il tenta de- trouver ce sang” (18). This new emergency was their, however; but it’s maybe not their by yourself. Because of it affects the brand new narrator as well. She imagines that she sees your, annually and a half after their passing, walking into the far lender of one’s Adour (18). She remembers looking on the girl buddy’s inactive muscles, a body suddenly rendered “transparent” because of the dying (50). She says you to Pierre Meters. is a writer, which during the night prior to he committed suicide the guy published concerning extremely problem out of composing (42). Contemplating their dying, you will find a minumum of one point that the narrator perceives most obviously actually: “J’ai vu, tangible, ma mort” (18). Basically, the newest narrator finds by herself mirrored when you look at the Pierre M., along with his suffering is in particular experience an echo off the woman very own.

Within the reflecting upon so it character along with his character regarding the novel, about three factors deserve to-be noted. Very first, Cosnay encourages the woman reader evaluate the couple that the narrator and this kid form with the couple written from the Bram van Velde and you will Marthe Arnaud-Kuntz. It is a question of appeal needless to say, as well as the options attendant through to diegetic prominencing; but it is and additionally bound up on complications your narrator skills in the viewing by herself and her problem, a problem that will get extremely conspicuous about echo moments. Je n’ai rien dit de- lui, si le n’est jamais qu’il fait le tour des villes suivant le ruban de- l’eau parmi les rues etroites ou bien contournant les enormes epingles de l’ensemble des vastes surfaces bleues surmontees d’un pont inattendue, rouge, laid et ancien, et celle-ci forme des arcs sous quoi vont les peniches” (29). Always into the actions, never ever static, the man is just as tough to seize because the Adour itself. Yet , identical to one river he uses up a blessed, main put, both in brand new narrator’s real-world plus one she imagines. Eventually, which kid serves the newest narrator as the a question of source, making it possible for this lady to get her very own subjectivity toward shot: “Que lui (l’aime, l’autre) reste objet ou bien que je ce sois: meme tentation d’incertitude, flottement d’identite” (61). One to pastime accounts for a lot of what are the results inside guide, together with narrator’s struggles try patently among the many lenses thanks to and this Marie Cosnay attracts us to echo up on chagrin together with various molds it goes into.

Cosnay underscores over-and-over the problem of the relations out-of the picture additionally the term, and this problem subtends the majority of just what House Chagrin must say in the art as well as spends. “Je vais venir, j’y viens,” she assures united states, “A great mon angle d’approche, bien au area d’incidence” (51), and you can seriously one of many issues that term designates was an effective web site in which the verbal plus the artwork satisfy and meld, given that perform some currents from inside the a river. It is an internet site one to stays right above the views, continually deferred rather than quite reached. With the passageway regarding visualize in order to keyword–otherwise from word so you’re able to picture, for example–can never be performed inside a totally satisfactory style, centered on Cosnay, are in general you’ll.

This new parable one Cosnay illustrations right here has plenty to state regarding the procedure one she deploys inside her unique, of these techniques are profoundly likely up regarding notion of the latest gaze. On the part of Property Chagrin titled “Photo 2,” Cosnay also offers a new parable situated upon the newest photo image, clearly and overtly casting they this time on the build regarding a story, while the narrative. “Il y avait cette histoire de l’autre image,” claims new narrator, “et d’une image you can, vue level l’autre, une fois, superbement. [. ] Los angeles photo parfaite de toute femme specific, belle, blanche, reconnaissable, de sexe mais aussi de cheveux prouvait qu’enfin quelque picked avait ete visible” (48). One to image is good foundational one having Villa Chagrin insofar as it catches the primary website of your novel’s geography. It is simple sufficient, while the images wade, however it’s subtended–a bit virtually in this situation–from the most other photographs that are a great deal more frustrating:

(13.) Discover instance “Le 15 novembre je suis malade, avec des reves apeures de breakup puis de victoire finale et celle-ci, en fin de direction, rendent bravery. Los angeles concern right concerne la and additionally bonne qualite, los angeles and additionally bonne certitude des times que l’on ne voit jamais” (9); “Ce suc du corps n’est as well as, dirait Ovide. Il demeure l’image an effective tirer de- cela, les lignes a beneficial voir derriere le qu’on ne voit jamais” (38); and you will “Sur chacune des lettres de- dessine ce qu’on ne voit jamais” (73).


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